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142minutes / / review=During WWII, a Belarusian boy is thrust into the atrocities of war, fighting with a hopelessly unequipped Soviet resistance movement against ruthless German forces. Witnessing scenes of abject terror and surviving horrifying situations, he loses his innocence and then his mind / writer=Ales Adamovich / tomatometer=9 of 10 Star / directed by=Elem Klimov.

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Well done. I often fear this great film is forgotten

Idi i smotri free download android. Idi i smotri free download video. Words cannot describe this masterpiece of cinema. Truly shocking portrait of World War II shown thru the eyes of a kid placed in a center of death, insanity, Nazi bestiality and other gruesome events in Belarussia during one of the darkest time in human history. Full of grotesque and bizarre images with camera movements that simulate human eye and fantastic acting of nonprofessional and, actually, not actors at all, makes this very painful and shocking to watch and experience. Actually, watching this movie is experience that should warn us not to forget what actually was and is a hell of war.
Masterpiece! 10/10. Idi i smotri free download free. This getting a theatrical release or just a festival? Love to see it with the remaster in theaters.

Idi i smotri free download mp3. Idi i smotri free download latest. Idi i smotri Free downloader. A fairly accurate depiction of what the German did at the eastern front as well the occupied parts of Central Europe. Just for the record soviets were oftentimes little better themselves. Both of the totalitarian regimes committed unspeakable atrocities be it against other nations or their own people.

Put simply, Come and See' is one of the best films I have ever seen. It is also one of the most effective anti-war statements ever produced and many of its images still resonate today, particularly the dark and bleak ending. It works better as an experience rather than as entertainment and should definitely be watched in a single sitting.
Amazingly shot, filmed and acted, it serves as one of the pinnacles of Russian Cinema. That being said, it is not a film for the faint of heart. Althrough the actual atrocities in the film make up only a small part of the film, the scene is unrelentingly brutal and there is a prevailing sense of dread throughout the film.
Also, there is much controversy about the ending sequence of the film and many people view the film as anti-German and merely Russian propaganda. Personally, I view the film, at face value, as a warning about the dangers of fascism rather than being anti-German. 'Come and See' is not simply a case of condemning Nazism but rather a wider view that everybody has the capacity to do what Hitler did.
'Come and See' cannot fail but provoke a reaction in an audience, which very few films actually do and because of this it is universally worth seeing. It is definitely a film that lingers in the memory.

Idi i smotri free download version. YouTube. CC = subtitles. Me so hawny 😂😂😂😂. Idi i smotri free download games. ✵ ⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈ ✵ ✵ DOWNLOAD ✵ ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ / Star= Olga Mironova, Vladas Bagdonas / 47568 vote / Director= Elem Klimov / runtime= 2 hours, 22 minute / Soviet Union. Idi i smotri free online games. Idi i smotri free online download. Alright, I'm assuming this is a great movie but this is a terrible freakin' trailer. Let's assume I'm a Zoomer who knows little to nothing about WW2 apart from the barely-surface material that gets taught in schools these days - what the Hell am I supposed to take away from this trailer? It doesn't tell me anything about the plot or the characters involved, about where it takes place or even the nationality of the people it's about (which is pretty damn important if you're talking about WW2 considering the international scope of the conflict. There's literally nothing to get invested in as an outsider to this movie except a bunch of pretty cinematography. Once again, I'm guessing based off the comments that this must be a good movie, which only makes me all the more upset at how half-assed this trailer is. It seems like the actors and the director really deserved better than this. Idi i smotri Free online. Idi i smotri free online live. Idi i smotri free online watch. Serbian film Enter the void. Best trailer and movie ever. Idi i smotri free online banking. Idi i smotri free online courses. Idi i smotri free online youtube. Idi i smotri free online slot. Idi i smotri free online registration. Awsome movie, just watched it, really good. Idi i smotri free online movie. Idi i smotri free online converter. This film should be mandatory for every war hungry individual in the world to see. The Jewish community was devastated by Hitler yes, six million strong gone. However 628 villages 35 million Russians and they don't have a huge place in American history books at all. This shows the innocence, destruction, disaster, repulsive, and ignorance of war. This film shows how propaganda gets under your skin and how an ideal ruins people slower then a butter knife. Slowly watching a child become a man and a dream become a nightmare I reflect on myself all too much. The film spoke to me so clearly in its message so concise in its roots. I can smell the passion see the passion and feel the passion. As the child watches things blow up, people die, and his life draw to a possible close every scene, he looks into the lens! The most amazing technique I've seen in film that has brought me close to the subject matter and characters, the moments where they look at me in the eye and say there lines to me but look as though they are truly in grave danger. This film deserves 11 stars and a seat in film history for eternity. I saw this film in my twenties and I thought that is was a masterpiece then and now in my fifties I am convinced that this film is one of the greatest films ever made about the horror of war. If you can find it please see it. It will change you forever. Come and See File:Come and See (poster) Russian theatrical release poster Directed by Elem Klimov Written by Ales Adamovich Starring Aleksei Kravchenko Olga Mironova Music by Oleg Yanchenko Cinematography Alexei Rodionov Edited by Valeriya Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release dates July 1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union Language Belarusian Russian German Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Soviet war drama directed by Elem Klimov about, and occurring during, the Nazi German occupation of the Byelorussian SSR. Aleksei Kravchenko and Olga Mironova star as the protagonists Flyora and Glasha. [2] The screenplay by Klimov and Ales Adamovich had to wait eight years for approval; the film was finally produced to commemorate the 40th anniversary of the Soviet victory in World War II, and was a large box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. The film was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [3] The film's title derives from Chapter 6 of The Apocalypse of John, in which "Come and see" is said in the first, third, fifth, and seventh verses [Rev 6:1, 3, 5, 7] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [4] Chapter 6, verses 7–8 [Rev 6:7-8] have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Plot In 1943 two Belarusian boys are digging in a sand field looking for abandoned rifles in order to join the Soviet partisan forces. Yustin, an old man, warns them not to dig (using sarcasm and reverse psychology). One of the boys, Flyora ( Aleksei Kravchenko), finds an SVT-40 rifle. The next day partisans arrive at his house and take Flyora with them, to the dismay of Flyora's mother. She fears that the loss of her son, like his father before him, will lessen her and her daughters' chances of survival. The partisans converge in a forest and prepare to confront the Germans. Flyora joins their forces as a low-rank militiaman and is ordered to do all the labor in the detachment. When the partisans are ready to move on, their commander, Kosach (played by Liubomiras Lauciavicius and dubbed by Valeriy Kravchenko), orders Flyora to remain behind at the camp in reserve and exchange boots with one of his fellows. Bitterly disappointed, Flyora walks into the forest weeping and comes across someone else who has been left behind – Glafira (or Glasha, played by Olga Mironova), a beautiful girl infatuated with Kosach. The girl becomes delusional and confuses Flyora with Kosach and kisses him. Suddenly, German airplanes appear and begin to drop German parachutists, and the camp comes under heavy artillery fire causing Flyora to go deaf. After hiding in the forest, the two return to Flyora's home village. His house is empty but his sisters' dolls are lined up on the floor and the place is overrun by flies. They find a still-warm dinner in the oven and try to eat, but Glasha vomits seeing the flies and dolls. Denying that his family was killed, Flyora believes that his family must be hiding on a nearby island across a bog. As they run from the village, Glasha turns and sees a huge pile of bodies stacked behind Flyora's house, but is unable to tell Flyora of it. Unable to accept that his family is dead, Flyora becomes hysterical as he and Glasha painstakingly wade through the bog. At the island they meet a resistance fighter, Roubej (played by Vladas Bagdonas). Glasha tells Roubej that Flyora is mad. Roubej takes the pair to a large number of other villagers who have fled the Germans. Flyora sees Yustin, who had been doused in petrol and burnt by the Germans, and accepts that his family did not survive. Yustin reminds Flyora of his earlier warning about digging up the rifle, and Flyora blames himself for the deaths of this family members. Roubej takes Flyora and two others to find food, leaving Glasha to care for the rest of the villagers. They run into SS activity and the food stored is too well-defended to be raided. Flyora unknowingly leads the group through a minefield in which two of the companions are killed. A German plane drops empty liquor bottles. At dusk, Roubej and Flyora sneak up to an occupied town and manage to steal a cow from a German-collaborating farmer, but as they flee across the fields, they are shot at. Both Roubej and the cow are killed. The next morning, Flyora, unable to move the dead cow, finds a horse and cart. He attempts to take the horse at the dismay of the owner who stops Flyora. They hear the sound of approaching German soldiers. The farmer helps Flyora hide his partisan jacket and rifle in the field, and takes him to his village of Perekhody, where they hurriedly discuss a fake identity for him. A German Einsatzkommando unit moves into the village, first surrounding the village. While Flyora is introduced to much of the farmer's family, a German officer comes inside of the house and the civilians give him food and water to eat. A collaborator also comes in the house and begins checking for anything valuable to take. Flyora starts walking outside of the house, but before he can step completely out, he is pushed down by a German soldier, much to the amusement of the other soldiers. The whole village is being herded by the German soldiers and Flyora attempts to warn everyone of their oncoming death, but is caught by another collaborator with a swastika drawn helmet and forced to run around in circles with the other men of the village. At first, the women and children are made to show their papers to the Germans, but then everyone is forced into the Village Church. An Obersturmführer (played by Juri Lumiste) announces to the terrified people, "those without children can leave. " Everyone inside the church calls the Germans "beasts. " Flyora takes up the offer and climbs out of the church, only to be handled by a German sergeant and shown to the Sturmbannführer, the commanding officer of the German unit. He is then thrown down and Flyora watches as a woman and her child get climb out of the church. She is grabbed by German soldiers and her child is thrown back into the church, the woman being dragged by her hair by a Collaborator and then is made to stay too. Around the whole village, drunk Germans and Collaborators laugh and listen to music, many finding ways to entertain themselves. Grenades are then hurled into the church as a truck playing music parks near the other German vehicles. Molotov cocktails are then thrown at the church while a collaborator inside of the top of the church escapes out. All the soldiers clap and laugh as the people inside burn to death. The soldiers then start firing at the church. Flamethrowers ignite the church more and music keeps playing to the sounds of the people dying inside the church. The Collaborators use most of the people that got out to herd the animals and Flyora is used in a picture, A German officer points a gun to his head while they pose for a picture. The officer does not kill him and leaves him to die. The woman who was dragged by the hair is thrown into a moving truck and presumably gang raped by the soldiers in the truck. The soldiers leave the burning village and carry an old woman outside to watch them as they leave, torches in many of the soldier's hands and music can still be heard playing as they drive away from the inferno. Flyora lies face down on the ground and is kicked by a motorcycle riding German soldier. Flyora wanders out of the village, where he sees that the partisan soldiers have ambushed the Germans as they fled from the burning village. He then goes to recover his rifle and jacket from the field where he had hid them earlier. As he turns to leave, Flyora comes across a woman with a strong resemblance to Glasha who has been horrifically raped and is in a fugue state; it is unclear if this is indeed Glasha or Flyora imagining the woman who escaped from the church as her. Flyora returns to the destroyed village and finds that his fellow partisans have captured eleven of the attackers and the Byelorussian collaborators, including the collaborator with the swastika helmet and the German SS commander. The main collaborator (played by Yevgeni Tilicheyev), the same one who dragged the woman by the hair and carried out the old woman, insisting that they are not to blame for the slaughter, translates the words of the German commander (played by Viktor Lorents), who claims to be a good man and a doting grandfather. The Obersturmführer is disgusted and angered by his commander's cowardice, and tells his captors that they, as an inferior race and communist sympathizers, will eventually be exterminated. The main collaborator tells that the Germans forced them to take part in the massacre. Kosach says the collaborators must pay, but not before the Germans. The collaborators, except the soldier with the swastika helmet, douse the Germans with the can of petrol Flyora brought, but the crowd, disgusted by the sight, shoot them all down before they can be set on fire, ending their lives relatively painlessly. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and shoots it - the first time he has actually used his rifle. After each shot, there is a sequence of montages that play in reverse and regress in time, depicting the rise of Hitler and the Third Reich backwards from corpses at a concentration camp to images of Hitler as a schoolboy; and finally a picture of the infant Adolf in his mother 's lap. Flyora shoots at each of the images – yet he cannot bring himself to fire at the still shot of baby Hitler. A title card states that "628 villages in Byelorussia were burnt to the ground with all their inhabitants. " In the film's final scene, Flyora catches up with and blends in with his partisan comrades marching through the woods, away into the dark of the trees as snow blankets the ground. Cast Aleksey Kravchenko as Flyora Olga Mironova as Glasha Liubomiras Lauciavicius as Kosach Jüri Lumiste as German officer Evgeniy Tilicheev as Collaborator Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: “ The 40th anniversary of the Great Victory was approaching. The management had to be given something topical. I had been reading and rereading the book I Am from the Burning Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer of the Sonderkommando gave them the offer: "Whoever has no children can leave". And he couldn't take it, he left, and left behind his wife and little kids... or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn! They know about Katyn, about the massacre of the Polish officers there. But they don't know about Belorussia. Even though more than 600 villages were burned there! And I decided to make a film about this tragedy. I perfectly understood that the film would end up a harsh one. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill. I wanted to find a simple boy fourteen years of age. We had to prepare him for the most difficult experiences, then capture them on film. And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy. Fortunately, with Lyosha Kravchenko, who played Flyora and who later became a good actor, everything went smoothly. I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it. I told this to my screenplay coauthor, the writer Ales Adamovich. But he replied: "Let them not watch it, then. This is something we must leave after us. As evidence of war, and as a plea for peace. " ” — Elem Klimov, AIF. [5] For a long time, filming could not begin. The State Committee for Cinematography (Goskino) would not accept the screenplay, considering it a propaganda for the "aesthetics of dirtiness" and "naturalism". [5] In the end, Klimov was able to start filming in 1984 without having compromised to any censorship at all. The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler (Elem Klimov also says this in the 2006 UK DVD release). [6] The film was shot in chronological order over a period of nine months. Aleksey Kravchenko says that he underwent "the most debilitating fatigue and hunger. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired. " [7] The 2006 UK DVD sleeve states that the guns in the film were often loaded with live ammunition as opposed to blanks, for realism. Aleksey Kravchenko mentions in interviews that bullets sometimes passed just 4 inches (10 centimeters) above his head (such as in the cow scene). Music The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko. At a few key points in the film existing music is used, sometimes mixed in with Yanchenko's music (such as Johann Strauss Jr. 's Blue Danube). At the end, during the montage, music by Richard Wagner is used, most notably the Tannhäuser Overture and the Ride from Die Walküre. The conclusion of the film uses the Lacrimosa from Mozart 's Requiem. The Soviet marching song "The Sacred War" is also played in the movie once. During the scene where Glasha dances, the background music is taken from Grigori Aleksandrov 's 1936 film Circus. Reception Come and See is widely considered a critical success, appearing on many lists of films considered the best. Film review aggregator Rotten Tomatoes reports a 95% approval critic response based on 21 reviews, with a "Certified Fresh" and a weighted average score of 8. 1/10. [8] According to Klimov, the film was so shocking for audiences that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad. [6] During one of the after-the-film discussions, an elderly German stood up and said: "I was a soldier of the Wehrmacht; moreover, an officer of the Wehrmacht. I traveled through all of Poland and Belarus, finally reaching Ukraine. I will testify: everything that is told in this film is the truth. And the most frightening and shameful thing for me is that this film will be seen by my children and grandchildren. " [5] Walter Goodman, writing for The New York Times, claimed that "The history is harrowing and the presentation is graphic... Powerful material, powerfully rendered... ", dismissed the ending as "a dose of instant inspirationalism, " but concedes to Klimov's "unquestionable talent. " [9] Rita Kempley, of the Washington Post, wrote that "directing with an angry eloquence, [Klimov] taps into that hallucinatory nether world of blood and mud and escalating madness that Francis Ford Coppola found in Apocalypse Now. And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky 's in his epic Siberiade. " Mark Le Fanu wrote in Sight and Sound (03/01/1987) that Come and See is a "powerful war film... The director has elicited an excellent performance form his central actor Kravchenko. " Writing about Come and See, Daneet Steffens of Entertainment Weekly (11/02/2001) wrote that "Klimov alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll. " Geoffrey Macnab of Sight and Sound (05/01/2006) wrote that "Klimov's astonishing war movie combines intense lyricism with the kind of violent bloodletting that would make even Sam Peckinpah pause. " In 2001, J. Hoberman of The Village Voice reviewed Come and See, writing the following: "Directed for baroque intensity, Come and See is a robust art film with aspirations to the visionary – not so much graphic as leisurely literal-minded in its representation of mass murder. (The movie has been compared both to Schindler's List and Saving Private Ryan, and it would not be surprising to learn that Steven Spielberg had screened it before making either of these. ) The film's central atrocity is a barbaric circus of blaring music and barking dogs in which a squadron of drunken German soldiers round up and parade the peasants to their fiery doom... The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction. For the most part, he prefers to show the Gorgon as reflected in Perseus 's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression. By some accounts the boy was hypnotized for the movie's final scenes – most viewers will be as well. " [10] In the same publication in 2009, Elliott Stein described Come and See as "a startling mixture of lyrical poeticism and expressionist nightmare. " [11] In 2002, Scott Tobias of The A. V. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog. A product of the glasnost era, Come and See is far from a patriotic memorial of Russia's hard-won victory. Instead, it's a chilling reminder of that victory's terrible costs. " [12] British magazine The Word wrote that " Come and See is widely regarded as the finest war film ever made, though possibly not by Great Escape fans. " [13] Tim Lott wrote in 2009 that the film "makes Apocalypse Now look lightweight". [14] On 16 June 2010, Roger Ebert posted a review of Come and See as part of his "Great Movies" series, describing it as "one of the most devastating films ever about anything, and in it, the survivors must envy the dead... The film depicts brutality and is occasionally very realistic, but there's an overlay of muted nightmarish exaggeration... I must not describe the famous sequence at the end. It must unfold as a surprise for you. It pretends to roll back history. You will see how. It is unutterably depressing, because history can never undo itself, and is with us forever. " [15] The film was placed at number 60 on Empire magazines "The 500 Greatest Movies of all Time" in 2008. [16] Come and See was also included in Channel 4 's list of 50 Films to See Before You Die [17] and was ranked number 24 in Empire magazines "The 100 Best Films Of World Cinema" in 2010. [18] Phil de Semlyen of Empire has described Come and See as "Elim Klimov’s seriously influential, deeply unsettling Belarusian opus. No film – not Apocalypse Now, not Full Metal Jacket – spells out the dehumanising impact of conflict more vividly, or ferociously... An impressionist masterpiece and possibly the worst date movie ever. " [19] Elem Klimov did not make any more films after Come and See, leading some critics to speculate as to why. In 2001, Klimov said, "I lost interest in making films... Everything that was possible I felt I had already done. " [20] Klimov died on 26 October 2003. [21] Accolades Awards Award Date of ceremony Category Recipients and nominees Result 14th Moscow International Film Festival [22] 12 July 1985 Golden Prize Won FIPRESCI prize See also List of submissions to the 58th Academy Awards for Best Foreign Language Film List of Soviet submissions for the Academy Award for Best Foreign Language Film References ↑ " COME AND SEE (15)". British Board of Film Classification. 1986-12-16. Retrieved 29 May 2013. ↑ "Come And See Movie Overview (1985)". Channel 4. ↑ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences ↑ The same biblical quote is at the center of the film Horsemen (2009). ↑ 5. 0 5. 1 5. 2 «Иди и смотри»: съёмки превратились для Элема Климова в борьбу с цензурой Cite error: Invalid Further reading Lua error in Module:Citation/CS1/Identifiers at line 47: attempt to index field 'wikibase' (a nil value). External links Come and See on IMDb Come and See at Rotten Tomatoes Come and See at official Mosfilm site. ↑ "14th Moscow International Film Festival (1985)". MIFF. Retrieved 9 February 2013. ↑ Bergan, Ronald (4 November 2003). "Obituary: Elem Klimov". Retrieved 8 June 2009. ↑ Become A War Films Expert In Ten Easy Movies. ↑ Ramsey, Nancy (28 January 2001). "FILM; They Prized Social, Not Socialist, Reality". ↑ "The 100 Best Films Of World Cinema". 2010. ↑ "Film4's 50 Films To See Before You Die". 22 July 2006. ↑ "The 500 Greatest Movies of All Time". Empire. November 2008. ↑ Ebert, Roger (16 June 2010). "Come and See".. ↑ Lott, Tim (24 July 2009). "The worst best films ever made". The Guardian. ↑ The Word (41). London. July 2006. p. 122. ↑ Tobias, Scott (19 April 2002). "Come And See". The A. Club. Chicago: Onion, Inc. ↑ Stein, Elliott (18 August 2009). "Come and See". ↑ Hoberman, J. (30 January 2001). "High Lonesome". The Village Voice. New York. Retrieved 25 February 2014. ↑ Goodman, Walter (6 February 1987). "FILM: 'COME AND SEE, ' FROM SOVIET". The New York Times. Retrieved 30 May 2013. tag; name "aif" defined multiple times with different content ↑ 6. 0 6. 1 "Elem Klimov about Come and see " (interview with English subtitles). ↑ Алексей КРАВЧЕНКО: «Со съёмок фильма Климова „Иди и смотри" я вернулся не только страшно худой, но и седой» ↑ "Come and See (Idi i smotri) (1985)". Rotten Tomatoes. Flixster. Retrieved 1 November 2013. Idi i smotri free online streaming. Idi i smotri free online free. Shocking scenes but Come and See is an excellent movie. And with that, let's hope 2019 brings peace to the world. Smug, knowing smile. Idi i smotri free online tv. Idi i smotri free online gambling. Idi i smotri free online surveys. Idi i smotri free online poker. Idi i smotri free online. This my rifle this is my gun, this is for fighting this is for fun. Idi i smotri free online game. ▼▼▼▼▼▼▼▼ ↟↟↟↟↟↟↟↟ Aleksey Kravchenko. user ratings: 9 of 10. Runtime: 142 Minute.. Directed by: Elem Klimov. Year: 1985. Damn. It's been a while. Always excited to see your work man. Boss Boss Disowned by his father as a boy, Surya is taken in by a crime boss. When his brother Shiv is wrongly imprisoned, his father pleads for Surya’s help. Jan Dara: The Finale Jan Dara: The Finale Based on a famous Thai erotic novel, the film tells the story of Jan, a boy who grows up in a house lorded over by his sadistic and debauched father, … Sold Sold Lakshmi is a thirteen-year-old girl who lives with her family in a small hut on a mountain in Nepal. 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IMDb Puanı 8. 2 Yapım Yılı 1985 Ülke Belarus, Soviet Union Yapım Şirketi Kino International Film Süresi 142 dakika 8. 8 Oy ortalaması: 8. 8 /10 - 29 kullanıcı Senaryo Ales Adamovich, Ales Adamovich, Elem Klimov Ödüller 2 ödül İkinci Dünya Savaşı'nın en karanlık dönemlerinden birinde, Alman işgali altındaki küçük bir Belarus kasabasındayız. Naziler tüm yahudi köyleri yerle bir edip yerli halkı acımasızca katlederken 13 yaşındaki Florya sahip olduğu tek şeyi, annesini bırakıp Sovyet partizanların güçlerine katılır. Partizanlar Almanlar'a karşı savaşmaya gittiklerinde küçük Florya, Glascha isimli bir kızla arkadaş olur. Bu sevimli dostluk esnasında Florya kendi köyünün adım adım yok oluşuna şahit olur. Savaş bir kez daha acımasızlığını kanıtlayıp insan hayatının ne derece ucuz olduğunu su yüzüne çıkarırken, suçsuz siviller bir kez daha hiç uğruna kaybeden tarafta olurlar. Idi i Smotri - Come and See altyazılı olarak sizlerle.. Русская версия Soviet Movies Drama War Films Come and See Original title: Иди и смотри IMDB: 8. 3 Views: 129 379 Year: 1985 Subs: Come and See with English French German Spanish Portuguese Hebrew Arabic Persian subtitles is a 1985 Soviet war drama film directed by Elem Klimov. Come and See had to wait eight years for approval from Soviet authorities before the film was finally produced to commemorate the 40th anniversary of the Soviet victory in World War II, and was a large box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family’s wishes. There he meets a girl, Gl.

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Idi i smotri free download hd. Offres spéciales et liens associés Outlet Anciennes collections, fin de séries, articles commandés en trop grande quantité, … découvrez notre sélection de produits à petits prix Profitez-en! Description du produit A feature by Elem Klimov made from the script by Ales Adamovich. It was released in 1985 and ranks among the most horrifying war films. It`s not only about the war of 1941-1945 exactly, but about any war, its devastating force sweeping away the natural course of things. The film is based upon documental facts and `The Khatyn Story` by Ales Adamovich. The authors describe the place and events which became a symbol of national tragedy. The hero of the film is Flyora, a sixteen-year-old boy that turned to the woods to help the partisans. At the beginning he is just a kid. Then he lives through the horror of the Nazi executions and becomes amazingly grown-up, and even old. The war had distorted the once tender childish facial features - it`s all wrinkles now. The altered face of Flyora is the face of War. The authors were so true-to-life, uncompromising and austere as to portray in the centre of the film not some grown-up man, but an unexperie nced kid with his childhood still here.

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